2026
Kiln formed glass
600 X 590 X 70 mm
(1200 x 1180 mm installed)
2025
Kiln formed glass
245 x 400 x 55 mm
(490 x 400 x 55 mm installed)
2025
Kiln formed glass
470 x 335 x 175 mm
2025
Kiln formed glass
495 x 400 x 60 mm
(900 x 1200 x 60 mm installed)
2025
Kiln formed glass
370 x 285 x 160 mm
2025
Kiln formed glass
495 x 400 x 60 mm
exclusively through
ATELIER 024
[Discover More]
2025
Kiln formed glass
170 x 300 x 90 mm
[See More]
exclusively through
ATELIER 024
[Discover More]
2025
Kiln formed glass
170 x 300 x 90 mm
[See More]
2024
Kiln formed glass
215 x 300 mm
2024
Kiln formed glass
90 X 220 X 145 mm
2024
Kiln formed glass
330 x 150 x 35 mm
2021
Kiln formed glass
125 x 145 x 40 mm
2021
Kiln formed glass
Dimensions Variable
2018
Kiln formed glass
380 x 380 x 10 mm each
(380 x 760 mm installed)
2018
Kiln formed glass
425 x 425 x 10 mm each
(1275 x 425 x 10mm installed)
2017
Kiln formed glass
440 x 440 x 10 mm each
(440 x 1320 x 10mm installed)
Born 1996.
Canberra AUSTRALIA
UPCOMING
Fragile Structures: The Architecture of Decay //
Craft & Design Canberra
30.07.26 - 12.09.25
RECENT:
Glass Chrysalis II //
Wagga Wagga Art Gallery
27.09.25 - 27.02.26
CV
Contact
Madeline Cardone’s sculptural practice explores the thresholds between spaces, embodied memory, and material perception, deriving from a broader interest in archaeological, anatomical and architectural theory.
Her work in glass draws on ideas of the body-as-landscape, phenomenological qualities of space, and notions of memory, preservation and decay. She treats the material like a ‘skin’ through slumping techniques to connect these ideas to the way the body experiences the world. Her objects are not only formal studies, but are explorations of proximity and relationships between forms, people, the past and now.
Cardone challenges the limits and lifecycles of materials, inviting slow, tactile contemplation and evoking a strange familiarity by recontextualising and abstracting space and form, further shifting an understanding and expectation of what materials can hold, reflect and become.
Cardone has exhibited nationally and internationally since 2017. She was awarded the Bassett Downs Honours Scholarship in Glass (ANU, 2021), the Vicki Torr Emerging Artist Prize (Ausglass, 2022), and the Aldo Bellini Acquisition Award for Milano Vetro Under-35 (Milan, 2024).
Above: Canberra Glassworks, 2025. Photo: Brooke McEachern.
Below: Paddington, Syndey, 2024. Photo: Matteo Macri.
Canberra AUSTRALIA
Madeline Cardone’s sculptural practice explores the thresholds between spaces, embodied memory, and material perception, deriving from a broader interest in archaeological, anatomical and architectural theory.
Her work in glass draws on ideas of the body-as-landscape, phenomenological qualities of space, and notions of memory, preservation and decay. She treats the material like a ‘skin’ through slumping techniques to connect these ideas to the way the body experiences the world. Her objects are not only formal studies, but are explorations of proximity and relationships between forms, people, the past and now.
Cardone challenges the limits and lifecycles of materials, inviting slow, tactile contemplation and evoking a strange familiarity by recontextualising and abstracting space and form, further shifting an understanding and expectation of what materials can hold, reflect and become.
Cardone has exhibited nationally and internationally since 2017. She was awarded the Bassett Downs Honours Scholarship in Glass (ANU, 2021), the Vicki Torr Emerging Artist Prize (Ausglass, 2022), and the Aldo Bellini Acquisition Award for Milano Vetro Under-35 (Milan, 2024).
UPCOMING:
Fragile Structures: The Architecture of Decay //
Craft & Design Canberra
30.07.26 - 12.09.26
RECENT:
Glass Chrysalis II // Wagga Wagga Art Gallery
27.09.25 - 27.02.26
SELECTED WORK // REPRESENTATION
SELECTED EXHIBITIONS // WRITING
CV
Above: Canberra Glassworks, 2025. Photo: Brooke McEachern.
Below: Paddington, Syndey, 2024. Photo: Matteo Macri.