G-34ZE5ZNTKT
SELECTED EXHIBITIONS // WRITING
SELECTED WORK // REPRESENTATION

 

(See More) CATACOMB IV
2026
Kiln formed glass
600 X 590 X 70 mm
(1200 x 1180 mm installed)





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NIGHTS
2025
Kiln formed glass
245 x 400 x 55 mm
(490 x 400 x 55 mm installed)





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EMINENCE (in black)
2025
Kiln formed glass
470 x 335 x 175 mm




[See More] ECHOES (THOUGH MY SKIN)
2025
Kiln formed glass
495 x 400 x 60 mm
(900 x 1200 x 60 mm installed)




[See More] UMBRA
2025
Kiln formed glass
370 x 285 x 160 mm




[See More] SAME DREAM
2025
Kiln formed glass
495 x 400 x 60 mm





This work is available
exclusively through
ATELIER 024


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OF SKIN (BLANC)
2025
Kiln formed glass
170 x 300 x 90 mm

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This work is available 
exclusively through 
ATELIER 024


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OSSA
2025
Kiln formed glass
170 x 300 x 90 mm

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[See More]
UNTITLED (BREATH OF SHADOW)
2024
Kiln formed glass
215 x 300 mm





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SHROUD
2024
Kiln formed glass
90 X 220 X 145 mm





[See More] NERO
2024
Kiln formed glass
330 x 150 x 35 mm





[See More] ENFOLD
2021
Kiln formed glass
125 x 145 x 40 mm





[See More]     EMBODIED SERIES
2021
Kiln formed glass
Dimensions Variable





[See More]     IT’S ONLY UP FROM HERE
2018
Kiln formed glass
380 x 380 x 10 mm each
(380 x 760 mm installed)





[See More] SOMETHING ABOUT THE RAIN
2018
Kiln formed glass
425 x 425 x 10 mm each
(1275 x 425 x 10mm installed)





[See More]UNDULATE
2017
Kiln formed glass
440 x 440 x 10 mm each
(440 x 1320 x 10mm installed)






MADELINE           CARDONE



Born 1996.
Canberra AUSTRALIA






UPCOMING
Fragile Structures: The Architecture of Decay
//
Craft & Design Canberra
30.07.26 - 12.09.25


RECENT:
Glass Chrysalis II
//
Wagga Wagga Art Gallery
27.09.25 - 27.02.26







Instagram


CV


Contact


Madeline Cardone’s sculptural  practice explores the thresholds between spaces, embodied memory, and material perception, deriving from a broader interest in archaeological, anatomical and architectural theory.

Her work in glass draws on ideas of the body-as-landscape, phenomenological qualities of space, and notions of memory, preservation and decay. She treats the material like a ‘skin’ through slumping techniques to connect these ideas to the way the body experiences the world. Her objects are not only formal studies, but are explorations of proximity and relationships between forms, people, the past and now.

Cardone challenges the limits and lifecycles of materials, inviting slow, tactile contemplation and evoking a strange familiarity by recontextualising and abstracting space and form, further shifting an understanding and expectation of what materials can hold, reflect and become.


Cardone has exhibited nationally and internationally since 2017. She was awarded the Bassett Downs Honours Scholarship in Glass (ANU, 2021), the Vicki Torr Emerging Artist Prize (Ausglass, 2022), and the Aldo Bellini Acquisition Award for Milano Vetro Under-35 (Milan, 2024).






Above: Canberra Glassworks, 2025. Photo: Brooke McEachern.
Below: Paddington, Syndey, 2024. Photo: Matteo Macri
.


I acknowledge that I work on unceded Ngunnawal country, and pay my respects to its custodians and cultures, past and present.


MADELINE           CARDONE
Born 1996.
Canberra AUSTRALIA


Madeline Cardone’s sculptural  practice explores the thresholds between spaces, embodied memory, and material perception, deriving from a broader interest in archaeological, anatomical and architectural theory.

Her work in glass draws on ideas of the body-as-landscape, phenomenological qualities of space, and notions of memory, preservation and decay. She treats the material like a ‘skin’ through slumping techniques to connect these ideas to the way the body experiences the world. Her objects are not only formal studies, but are explorations of proximity and relationships between forms, people, the past and now.

Cardone challenges the limits and lifecycles of materials, inviting slow, tactile contemplation and evoking a strange familiarity by recontextualising and abstracting space and form, further shifting an understanding and expectation of what materials can hold, reflect and become.


Cardone has exhibited nationally and internationally since 2017. She was awarded the Bassett Downs Honours Scholarship in Glass (ANU, 2021), the Vicki Torr Emerging Artist Prize (Ausglass, 2022), and the Aldo Bellini Acquisition Award for Milano Vetro Under-35 (Milan, 2024).


UPCOMING:
Fragile Structures: The Architecture of Decay
//
Craft & Design  Canberra
30.07.26 - 12.09.26



RECENT:
Glass Chrysalis II
// Wagga Wagga Art Gallery
27.09.25 - 27.02.26



SELECTED WORK // REPRESENTATION
SELECTED EXHIBITIONS // WRITING
CV

INSTAGRAM




Above: Canberra Glassworks, 2025. Photo: Brooke McEachern.
Below: Paddington, Syndey, 2024. Photo: Matteo Macri
.


I acknowledge that I work on unceded Ngunnawal country, and pay my respects to its custodians and cultures, past and present.

© Cargo Test Site 2027